Listen Up! Conversation Series 2

Listen Up!

A Conversation Series on Sustainable Models and Strategies for a Vancouver Music Centre

Volume 2: Splendor Amsterdam: a model that works
Featuring two of Splendor’s founding members, David Dramm and Anne Laberge
plus business manager, Norm van Dartel from Amsterdam
Saturday, July 28, 2018, 2-4 pm
Djavad Mowafaghian World Art Centre at SFU Woodward’s Goldcorp Centre for the Arts
149 West Hastings Street, Vancouver – This is an accessible venue

****please enter through the courtyard off Cordova St, Hastings St entrance will be closed for construction****

Free admission (limited space, free registration at listenup2.eventbrite.ca), reception to follow

The second conversation of Listen Up! dives into artist driven spaces to tell the story of Splendour Amsterdam, presented by co-founders David Dramm and Anne la Berge, and business manager Norman van Dartel. Founded in 2010 by 50 musicians and their public, Splendor now has over 1200 registered audience members, presents over 300 events annually, and is considered an alternative central-nervous-system for Dutch music. The evening promises to open doors and minds to the possibilities for live music now and in the future.

In response to the loss of grassroots venues worldwide, a trend is underway to explore new ways to make arts and cultural organizations more resilient by improving their business models and developing their long-term strategic and innovation capacities. One of the most unique initiatives for the live music industry is Splendor Amsterdam (splendoramsterdam.com). Reclaiming the territory between maker, performer and the public, Splendor is a meeting place, club, laboratory and venue. Vancouver’s music visionaries and supporters are invited to take an inside look at the space and its organizational structure through an interactive presentation and lively conversation. Moderated by Vancouver-based writer, musician and organizer Barbara Adler,
audiences will explore Splendor’s innovative approaches to sustainability, financial models, collective thinking, and the challenge of running a musician-run venue without “programmers”. After four years, what has worked and what hasn’t?

Listen up! Conversation Series 1

Listen Up!

A Conversation Series on Sustainable Models and Strategies for a Vancouver Music Centre

 

Volume 1: Introducing Our Acoustical Design Book

 Featuring Larry Tedford (San Francisco) and Donald Luxton (Vancouver)

 Tuesday, May 1, 2018, 7-9 pm

The Startup Studio at The Post at 750

#110 – 750 Hamilton Street, Vancouver

Free admission (limited space, free registration at vimlistenup.eventbrite.ca, reception to follow)

“Prescriptive design criteria might work; strategic, performance-based design

 focusing on people will work.” – Larry Tedford

Vancouver has produced some of the best musicians in the world and is home to a growing population eager for music of all kinds, yet is lacking the creative hub for music that can be found in many cities. As plans move forward to include a music presentation/creation venue in the vision for Northeast False Creek, VIM House is looking to engage the music community in a series of discussions exploring sustainable models and strategies for this future venue. The first in this Conversation Series will feature a session on acoustics design, presented by Larry Tedford (San Francisco), the lead consultant on the development of the VIM House Acoustical Design Book. The conversation will be moderated by Donald Luxton, author of our 2014 Feasibility Study which outlined the vision and development of VIM House.

Mr. Tedford will present the strategy which was developed over three 2 day visits to Vancouver in 2014-2015. Tedford, along with Denis Blount and Peter Dodds, met with musicians, music presenters, sound technicians and production staff, and visited 11 Vancouver venues where music is presented. Workshops were held with key stakeholders to share their experience and explore various technical requirements that would affect the acoustical performance of the proposed venues.

The VIM House Acoustic Design Book is based on their research and expertise, information and feedback from the Vancouver sessions as well as previous VIM House studies and consultation, and further detailed review by key music community participants and stakeholders. The Acoustic Design Book will provide the basis for the design of the purpose-built music centre which will contain a main venue for a wide range of music, and a secondary venue more focused on creative and interdisciplinary projects, educational presentations, workshops and intimate concerts.

Listen Up! A Conversation Series consists of talks to review the planning of VIM House to date, to generate discussion and collaboration, and explore the road ahead for the culture and cultivation of music in Vancouver. Listen Up! will allow the Society to bring Vancouver’s music visionaries together to learn about cooperative music venues, and about creating and maintaining sustainable operating models for live music. The intent is to open doors and minds to the possibilities for live music now and in the future. As development plans are being presented for Northeast False Creek, it is essential the music community find a way to present a unified vision for the proposed music incubator/venue.

The Vancouver Independent Music Centre Society  – VIM House

The Vancouver Independent Music Centre Society  (VIM House) was created in July 2011 by a coalition of musicians, music presenters and managers who support the planning and development of a purpose built, culturally diverse, affordable and accessible music centre. This not-for-profit, charitable organization has undertaken a series of studies to determine the need for and feasibility of a new state-of-the art venue that will suit the needs of the local music community.

The vision for VIM House is to showcase the incredible diversity and wealth of music in Vancouver, as well as to host performers from around the world; to create a place where musicians and artists from different genres and cultures will meet one another, share ideas and experiences and develop new musical collaborations.

Larry Tedford, Director of Digital Environs, Incorp

For 30 years as a specialty design consultant, Larry Tedford sought to forge an emotional connection between artists, audience, and communities with destinations designed for performing arts.

Larry’s particular skill is infusing the higher-level factors influencing experience and place with a deep understanding of technology and architecture.

His performing arts work as an acoustics, production technology, and theatre planning consultant includes: San Francisco’s War Memorial Opera House renovation; the California Academy of Sciences; Sydney Opera House theatre masterplan; the Disney Institute Recital Hall; Las Vegas Academy of Arts Theatre; Portland’s Arlene Schnitzer Concert Hall; Houston’s Wortham Center Brown Opera Theatre; and Singapore’s Marina Bay Sands theatres, Victoria Hall renovation, and School of the Arts theatres.

Donald Luxton

Born and raised in Vancouver, Donald Luxton has a passionate interest in local history and heritage. Involved in the field of heritage and cultural resource management since 1983, he is a well-known consultant, advocate, educator and author, and has worked on numerous projects throughout western Canada, including the restoration of residential, commercial, and institutional buildings, and the development of museums and cultural facilities. Since 2005 he has been a sessional lecturer in the BCIT Architectural Science degree program. He is an award-winning author of local history books, and his interest in the preservation of architecture has led to his continuing involvement with a number of heritage societies, including his role as a founding Director of the Victoria Heritage Foundation, and as President of Heritage Vancouver from 2004-13. In 2007, he was elected to the College of Fellows of the Royal Architectural Institute of Canada, and in 2009 he was the recipient of the British Columbia Heritage Award.

VIM House, Early Music Vancouver and Coastal Jazz present COMMON GROUNDS

featuring Pacific Baroque Ensemble and Alan Matheson Septet

Thursday June 30, 2016, 7:30pm
Christ Church Cathedral
690 Burrard Street
Tickets $46 at ticketfly.com

Two Ensembles. Two starkly different genres. In this remarkable project, a Baroque ensemble led by JUNO Award-winning harpsichordist/chamber organist Alexander Weimann and a brilliant jazz septet led by trumpeter/composer Alan Matheson explore threads running from the 1600’s through today’s creative jazz scene. Bringing together disparate musical communities, the two groups will perform works from their respective fields as well as pieces written for the “common ground” of both. In this timeless meeting place, the long melodic lines of Ellington and Strayhorn echo Handel and Bach, while the endlessly creative practice of “theme and variation” is a keystone of jazz improvisation, of the Baroque and, one could argue, of life.


Pacific Baroque Ensemble

Alex Weiman director, harpsichord / chamber organ

Matthew Jennejohn recorder / cornetto

Chloe Meyers violin

Catherine Motuz trombone (sackbut)

Ed Reifel percussion

John Lenti baroque lute / guitar


Alan Matheson Septet

Alan Matheson leader, cornet/flugelhorn/piano

Rob McKenzie trombone

Julia Nolan saxophones

Dave Branter clarinet / saxophones

Jon Roper guitar

Laurence Mollerup bass

Craig Scott drums


The vision for VIM House is to build a music centre to showcase the incredible diversity and wealth of music in Vancouver and to host performers from around the world; to create a place where musicians and artists from different genres and cultures will meet one another, exchange ideas and experiences and collaborate.

Common Grounds provides an exciting glimpse of one the many facets of this artistic vision for VIM House. This important curatorial collaboration combines the forces of Early Music Vancouver which has brought the beauty and richness of centuries old music to West Coast audiences with Coastal Jazz, which since 1985 has opened ears to incredible range of music and experience that is jazz. Both presenters have made a massive contribution to the ecology of live music in Vancouver.

Genuine, respectful collaboration between artists, curators and presenters will be one of the key strategies for creating a unique and dynamic environment at VIM House, a place where music and community thrive.


We gratefully acknowledge the support of the City of Vancouver through Cultural Services, the BC Arts Council and the Leon and Thea Koerner Foundation

Sick Boss + Khingfisher

VIM House and Coastal Jazz & Blues present
a NEW CURATION SERIES
Live in the Backroom at The Emerald 2014
555 Gore Street • Tickets at the door $10 • Showtime 9pm
Curated by Cole Schmidt
noschmo.com

SICK BOSS is a new ensemble lead by guitarist and composer, Cole Schmidt that charts the broad musical landscape of contemporary music. Performing beautiful and cerebral originals, with a smattering of unexpected covers, Sick Boss draws together influences from creative improvisation, rock, folk, and modern jazz. The band’s dazzling musicianship is rounded out by a cherry-picked cast of Vancouver all-stars who are recognized for their creative prowess as both bandleaders and collaborators.

Sick Boss is: Peggy Lee – cello (Film in Music, Waxwing); Tyson Naylor – accordion (Dan Mangan, Abramson Singers); Sam Davidson – clarinets (Brasstronaut, ElkHorn); Cole Schmidt – guitar (Pugs and Crows, Copilots); James Meger – bass (Braveheart, Proud Animal); Dan Gaucher – drums (October Trio, Fond of Tigers) with Debra-Jean Creelman – voice (Mother Mother, Frazey Ford)

Recording under the name Khingfisher, Craig Alan Mechler has released a self-titled album that emphasizes his folksy inclinations with ultra-stripped down arrangements of guitar and voice. These are vintage-sounding ballads with a hint of jazziness and Devendra Banhart-style quirk, and there’s a cover of the classic tune Georgia on My Mind thrown in for good measure. The album was recorded at Vancouver’s China Cloud with Mark Lawrence. It’s available for download at the following link, and listeners can give an optional donation if they choose. http://khingfisher.bandcamp.com/

photo: Sick Boss

Meger/King/Crosby and Freedman + Waxwing

VIM House and Coastal Jazz & Blues present
a NEW CURATION SERIES
Live in the Backroom at The Emerald 2014
555 Gore Street • Tickets at the door $10 • Showtime 9pm
Curated by Cole Schmidt
noschmo.com

Thursday, November 20

Meger/King/Crosby and Freedman + Waxwing

Braveheart is a jazz saxophone trio that explores group improvisation and composition with an obstinate sense of honesty and integrity. Since their beginnings in Montreal four years ago, the group has developed a raw, acoustic sound, brimming with uplifting emotional honesty and a deep, soulful rhythmic feel. Their searching improvisations have no boundaries, and can at times be dark and reflective and other times playful and energetic. The band’s original repertoire is an eclectic mix of songs, influenced by everything from singer-songwriters to contemporary classical music to modern jazz. Featuring Ted Crosby (Vermont, USA) on saxophone and clarinets, James Meger on acoustic bass and Omar Amlani on drums.

There’s been a change, friends. In place of Braveheart, Meger/King/Crosby and Freedman will be playing.
Bass clarinetist, Lori Freedman, and saxophonist, Ted Crosby, both out from Montréal, will play a set of original compositions and improvisations with Vancouver bassist, James Meger and guitarist, Sam King.

Waxwing is a fully co-operative group formed by three veterans of the Vancouver creative music scene, Tony Wilson on guitar, Peggy Lee on cello and Jon Bentley on saxophones. Each musician has brought his/her compositional material and performs a variety of functions within the group, from soloistic to accompaniment, melodic to colouristic and/or harmonic. This trio runs the gamut on their debut release from the more spacious and reflective episodes to their driving rhythms, soaring melodies and fierce improvisations, in which they pack the punch of a large ensemble.

(photo: Braveheart)

New Curation Series – The first installment! October 30, 2014

VIM House and Coastal Jazz & Blues present the NEW CURATION SERIES

BATTLE TRANCE >> genre-defying tenor sax quartet from NYC

+  Tommy Babin >> solo bass set

Thursday October 30, 2014

Live in the Backroom at The Emerald

555 Gore Street • Tickets at the door $10 • Showtime 9pm

Curated by Cole Schmidt

noschmo.com

Travis Laplante’s genre-defying tenor saxophone quartet makes its Canadian debut at the Emerald on Thursday, October 30, 2014. Battle Trance is Travis Laplante, Matthew Nelson, Jeremy Viner,  and Patrick Breiner. The group is in the midst of a North American tour in support of their debut full-length release Palace of Wind, a piece that not only transcends genres, but also transcends time and space. The band, the album and the tour have been garnering rave reviews, and we’re excited to kick off our New Curation Series with a performance from Battle Trance.

“There’s tremendous technical control behind what [Travis] Laplante does… splintering notes as if through a prism, using circular breathing for purposes of hypnotism.” – The New York Times

“If you’re already acquainted with Evan Parker, John Butcher, Colin Stetson, and Mats Gustafsson, you’ll want to put Travis Laplante’s name on your list of must-see saxophonists.” – Georgia Straight

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